JEREMY DUTCHER SHARES NEW VIDEO, MOTEWOLONUWOK LP SHORT LISTED FOR THE 2024 POLARIS MUSIC PRIZE

WATCH A POWERFUL NEW BEHIND THE SCENES VIDEO WITH WICIW CHOIR

WATCH / SHARE WICIW CHOIR VIDEO HERE

MOTEWOLONUWOK AVAILABLE NOW VIA SECRET CITY RECORDS

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(Still Image From WICIW Choir Video)

Jeremy Dutcher’s sophomore LP, Motewolonuwok – his defiant, healing and queer exploration of modern indigeneity – has been shortlisted for the prestigious Polaris Music Prize 2024, alongside Elisapie, Charlotte Cardin, Allison Russell and more. The winner will be announced during the gala in Toronto on September 17. 

As a previous winner of the Polaris Music Prize (2018), today, Jeremy is thrilled to share a moving new video to celebrate his nomination and unveil some of the processes behind the astonishing Motewolonuwok.

“There are lessons you’re taught and ones you come to know experientially — some are both.  The lesson is that ‘there is no better medicine than singing together’. Something I was told from a young age but didn’t truly internalize until the process of creating this last album, Motewolonuwok,” explains Dutcher.

“Bringing this album to fruition and insisting on its vision was one of the hardest things I’ve ever done — and it was only through the collective support of this amazing group of singers that it came to pass. The WICIW Choir was built from every corner of my life, bringing together the voices I admire most, and is made most beautiful by its inclusivity, truly an ensemble for every voice type. Getting to share some wolastoqey latuwewakon with these dear collaborators was a transformative experience for me; we can learn so much from teaching. From my depth, I give gratitude to each of these singers who gave this record it’s truly voice: the spirit of collectivity,” he concludes.

The WICIW Choir is : James Baley, Meghan Jamieson, Teiya Kasahara, Keith Lam, Jonathan MacArthur, Marion Newman, Lydia Persaud, Alex Samaras, Karen Weigold, Alanna Stuart, Katrina Westin.

 WATCH / SHARE WICIW CHOIR VIDEO HERE

Currently on tour, Dutcher recently performed at the International Montreal Jazz Festival, the Riddu Riđđu Indigenous Festival in Olmmáivággi, Norway, and the Vancouver Folk Festival.

He headlined Servant Jazz Quarters in London, England and played the Cambridge Folk Festival last week. Jeremy will be back on the road in Canada in August and September and will be performing with the NAC Orchestra in Ottawa on September 13, as well as opening for Feist at the FirstOntario Performing Arts Centre in St-Catharines on September 18. Tickets are on sale here.

MORE ABOUT JEREMY DUTCHER
With his most recent release – Motewolonuwok – Jeremy Dutcher was crowned in the UK as the MOJO Rising Artist for its September issue, with the record receiving ★★★★ from the magazine, stating, “there is real weight behind these songs, and Motewolonuwok carries it with sombre grace.” Rolling Stone France also shares the ★★★★ status calling the album “a total and captivating success,” while Télérama adds, “richly orchestrated, his intimate ballads unfold an intense dramaturgy to transcend the pain of oppression and express the soothing beauty of resilience.”

BUY / STREAM MOTEWOLONUWOK HERE

Dutcher originally vaulted himself into the upper echelons of Canadian performance with his 2018 debut, Wolastoqiyik Lintuwakonawa. Since winning the Polaris Music Prize and JUNO Award, performing for NPR Tiny Desk, and collaborating with Yo-Yo Ma and Beverly Glenn-Copeland, in 2023 Dutcher returned with Motewolonuwok, a moving and radiant exploration of contemporary Indigeneity and his place within it, presenting his most expansive work yet. The new album also marked Dutcher’s first time writing and singing in English. A powerful invitation for collective healing and understanding, “Shared tongue is a beautiful gift, with a complicated reason,” Dutcher explains. “These new English songs are also a way of singing directly to the newcomer, or settler, in their own language — a direct line of communication that seeks to platform his community’s stories of healing, resilience, and emergence to all that may hear.”

Motewolonuwok heaves with dynamic orchestration and the inherent drama of grand piano, recalling a long line of artists who have turned the classical establishment on its head to deliver compositions that are doubly ecstatic and modern — luminaries such as Julius Eastman, Perfume Genius, Arthur Russell, Beverly Glenn-Copeland, and Merce Cunningham. More intimate and expansive than anything Dutcher has created before, Motewolonuwok hedges the line between storytelling and composition as both a transcendental protest record and an exploration of self. This is experimental pop as corrective medicine: a defiant, healing, and queer experience that fills any listener with power and wisdom.

PRAISE FOR MOTEWOLONUWOK

“Motewolonuwok” pulls from the sounds of renowned song carrier Maggie Paul, the flamboyant musicality of Jeff Buckley and the political sensibility of Nina Simone. Across 11 songs, Dutcher stares down the horrors of violence against Indigenous women and the suicide crisis, while drawing strength from the writings and music of his ancestors and peers." The Toronto Star, Best Music of 2023

Jeremy Dutcher's follow up to his Polaris Music Prize-winning debut is a work equally stunning in its beauty and raw emotional power. The arrangements complement a vital storytelling voice that's impossible to absorb without being brought to tears." - Exclaim!, Best of 2023 

★★★★ – Rolling Stone France

“There is revolution in this album… Motewolonuwok is about people rising up in the streets, about unity and community, about identity. Dutcher, who is a member of Neqotkuk (Tobique First Nation), shares an operatic timbre with Anohni, his songs transmitting a similar sense of spiritual commitment. There is real weight behind these songs, and Motewolonuwok carries it with sombre grace.” ★★★★ – MOJO

"While Motewolonuwok doesn't shy away from the painful experiences of Indigenous peoples Dutcher's gentle approach — to "rise in beauty" and forge a path forward with grace — is a powerful beacon of hope during these dark, divisive times" - CBC Music, Best Albums of 2023

“A captivating set, with Dutcher’s extraordinary and expressive vocals underpinned by orchestral arrangements... Mesmerising, magical and often deeply moving.” ★★★★ - The Morning Star

“Dutcher yearns earnestly in a powerful voice that lands somewhere between Anohni and Curtis Stigers, doling out lush soul ballads, which deal with land sovereignty and queerness” – Uncut

"After expanding the boundaries of sampling with the award-winning debut Wolastoqiyik Lintuwakonawa the classically trained tenor’s own range expands on Motewolonuwok. With flickers of jazz and pop and the occasional full orchestra, the composer sings in both Wolastoqey and English, inviting listeners to “take my hand / walk with me.” - The Globe and Mail, Best Albums of 2023

“As powerful as his lyrics, though, is Dutcher’s performance style.” – Vogue

“[Jeremy Dutcher] Brings forward the spirit of his people on this beautiful record.” — NPR Music

"Motewolonuwok is a landscape of rolling hills, gullies, open horizons and bright stars. It’s a defiant, gorgeous, collective taking-up of sonic space.” - RANGE Magazine, Best of 2023

“Richly orchestrated, his intimate walks unfold an intense dramaturgy to transcend the pain of oppression and express the soothing beauty of resilience”. - Télérama

“The song [Skicinuwihkuk] is tender and lyrical, but also takes flight on a wave of orchestral sound that amplifies the song’s emotional content” – WNYC “New Sounds” 

Digital album artwork for Motewolonuwok // DOWNLOAD HIGH-RES

JEREMY DUTCHER TOUR DATES // TICKETS HERE
Aug 2-4 – Canmore, CA @ Canmore Folk Festival
Aug 8-9 – Lunenburg, CA @ Lunenburg Folk Harbour Festival
Aug 20-21 – Bonne Bay, CA @ Writers at Woody Point
Sep 13 – Ottawa, CA @ NAC *performing with the NAC orchestra
Sep 18 – Ste-Catharines, CA @ FirstOntario Performing Arts Centre
Sep 20 – Kingston, CA @ Isabel Bader Centre for the Performing Arts
Oct 25-26 – Halifax, CA @ Rebecca Cohn Auditorium


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JEREMY DUTCHER TO PERFORM LIVE AT THE 2024 JUNO AWARDS BROADCAST

TUNE IN MARCH 24 ON CBC TO WATCH JEREMY DUTCHER PERFORM LIVE AT THE 2024 JUNO AWARDS

CBC LIVE AT MASSEY HALL CONCERT - NOW AVAILABLE ON CBC GEM

IN CONCERT FOR LA NUIT BLANCHE DE MONTRÉAL, MARCH 2 AT ICI MUSIQUE

PERFORMING AT THE JUNO SONGWRITERS’ CIRCLE ON MARCH 22

BUY / STREAM MOTEWOLONUWOK HERE

Photo credit: Kirk Lisaj // DOWNLOAD HIGH-RES

Jeremy Dutcher is thrilled to announce he will be performing at the JUNO Awards this year alongside Elisapie, on top of being a nominee in the Adult Contemporary Album of the Year category for his album Motewolonuwok. The TV broadcast will be live on Sunday, March 24 on CBC. Dutcher will also be participating in the JUNO Songwriters’ Circle on Friday March 22, a discussion amongst this year’s nominees to talk about the essence of music in its purest form: the song itself.

The classically trained Two-Spirit song carrier, composer, activist, and member of Neqotkuk (Tobique First Nation) in Eastern Canada is also sharing his CBC Live at Massey Hall concert today on CBC Gem. Filmed during his last performance in the sold-out venue last Fall in Toronto, the concert is now available. This series features artists such as The Beaches, Charlotte Cardin, Charlotte Day Wilson, July Talk, and more.

CBC LIVE AT MASSEY HALL CONCERT - NOW AVAILABLE ON CBC GEM

Before heading to the United States, Jeremy Dutcher will take part in Nuit blanche in Montreal on March 2 to give a unique concert part of the ICI Musique series Sur mesure démesuré,  with special guest Safia Nolin. Join us in the Radio-Canada Hall at 11pm. 

BUY / STREAM MOTEWOLONUWOK HERE

Dutcher originally vaulted himself into the upper echelons of Canadian performance with his 2018 debut, Wolastoqiyik Lintuwakonawa. Since winning the Polaris Music Prize, JUNO Award, performing for NPR Tiny Desk, and collaborating with Yo-Yo Ma and Beverly Glenn Copeland, in 2023 Dutcher returned with Motewolonuwok, a moving and radiant exploration of contemporary Indigeneity and his place within it, presenting his most expansive work yet. The new album also marked Dutcher’s first time writing and singing in English. A powerful invitation for collective healing and understanding, “Shared tongue is a beautiful gift, with a complicated reason,” Dutcher explains. These new English songs are also a way of singing directly to the newcomer, or settler, in their own language — a direct line of communication that seeks to platform his community’s stories of healing, resilience, and emergence to all that may hear.

Motewolonuwok heaves with dynamic orchestration and the inherent drama of grand piano, recalling a long line of artists who have turned the classical establishment on its head to deliver compositions that are doubly ecstatic and modern — luminaries such as Julius Eastman, Perfume Genius, Arthur Russell, Beverly Glenn-Copeland, and Merce Cunningham. More intimate and expansive than anything Dutcher has created before, Motewolonuwok hedges the line between storytelling and composition as both a transcendental protest record and an exploration of self. This is experimental pop as corrective medicine: a defiant, healing, and queer experience that fills any listener with power and wisdom.

PRAISE FOR MOTEWOLONUWOK
"After expanding the boundaries of sampling with the award-winning debut Wolastoqiyik Lintuwakonawa – which built postclassical arrangements around archival wax-cylinder recordings of Dutcher’s ancestral music from the Wolastoqey Nation – the classically trained tenor’s own range expands on Motewolonuwok. With flickers of jazz and pop and the occasional full orchestra, the composer sings in both Wolastoqey and English, inviting listeners to “take my hand / walk with me.” The Globe and Mail, Best Albums of 2023

“There is revolution in this album… Motewolonuwok is about people rising up in the streets, about unity and community, about identity. Dutcher, who is a member of Neqotkuk (Tobique First Nation), shares an operatic timbre with Anohni, his songs transmitting a similar sense of spiritual commitment. There is real weight behind these songs, and Motewolonuwok carries it with sombre grace.” ★★★★ – MOJO
“Motewolonuwok” pulls from the sounds of renowned song carrier Maggie Paul, the flamboyant musicality of Jeff Buckley and the political sensibility of Nina Simone. Across 11 songs, Dutcher stares down the horrors of violence against Indigenous women and the suicide crisis, while drawing strength from the writings and music of his ancestors and peers."
The Toronto Star, Best Music of 2023

“A captivating set, with Dutcher’s extraordinary and expressive vocals underpinned by orchestral arrangements... Mesmerising, magical and often deeply moving.” ★★★★
- The Morning Star
Jeremy Dutcher's follow up to his Polaris Music Prize-winning debut is a work equally stunning in its beauty and raw emotional power. Musically, Dutcher is a talent on the level of Sufjan Stevens, with operatic vocals comparable to the arresting, passionate artistry of ANOHNI. Motewolonuwok is a more expansive album than its landmark predecessor, with the Tobique First Nations composer choosing to express songs in both Maliseet-Passamaquoddy and English while also blending cultures with jazzier full-band arrangements. These arrangements complement a vital storytelling voice that's impossible to absorb without being brought to tears." Exclaim!, Best of 2023  

“Dutcher yearns earnestly in a powerful voice that lands somewhere between Anohni and Curtis Stigers, doling out lush soul ballads, which deal with land sovereignty and queerness” - Uncut

"Motewolonuwok invites us into a larger, expanded world. Language revitalization is still at the core of Dutcher's work, continuing the goals of his Polaris Music Prize-winning debut, Wolastoqiyik Lintuwakonawa, but Wolastoqey now shares space with English-language songs meant to speak more directly to non-Indigenous listeners. While Motewolonuwok doesn't shy away from the painful experiences of Indigenous peoples Dutcher's gentle approach — to "rise in beauty" and forge a path forward with grace — is a powerful beacon of hope during these dark, divisive times" CBC Music, Best Albums of 2023

“As powerful as his lyrics, though, is Dutcher’s performance style.” – Vogue

“[Jeremy Dutcher] Brings forward the spirit of his people on this beautiful record.” — NPR Music

"Motewolonuwok is a landscape of rolling hills, gullies, open horizons and bright stars. The Two-Spirit 2018 Polaris Music Prize winner composes this scene with an earthbound orchestra and populates it with 12-person choirs made up of his close friends. It’s a defiant, gorgeous, collective taking-up of sonic space, brought to an emotional fulcrum on “The Land That Holds Them.” RANGE Magazine, Best of 2023

“Richly orchestrated, his intimate walks unfold an intense dramaturgy to transcend the pain of oppression and express the soothing beauty of resilience”. - Télérama

JEREMY DUTCHER TOUR DATES:
March 16 2024 – Princeton, NJ – McCarter Theatre Center
March 19 2024 – Philadelphia, PA – World Cafe Live
Match 20 2024 – New York City, NY – Lincoln Center

JEREMY DUTCHER ONLINE 
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JEREMY DUTCHER SHARES A STUNNING AND INTIMATE LIVE VIDEO FOR THE GRAMMYS “GLOBAL SPIN” PERFORMANCE SERIES

Screenshot of the “Pomawsuwinuwok Wonakiyawolotuwok” live video

Today, Jeremy Dutcher - the classically trained Two-Spirit song carrier, composer, activist, and member of Neqotkuk (Tobique First Nation) in Eastern Canada –  is excited to share a new live video for “Pomawsuwinuwok Wonakiyawolotuwok” – off the latest opus Motewolonuwok – as part of the GRAMMYs Global Spin performance series featuring artists from around the world such as K Pop artist B.I. and afrobeat Diamond Platnumz, focusing on the celebration of the global music communities. The video is hosted on the GRAMMYS / Recording Academy YouTube Channel, gathering more than two million subscribers. The Canadian tour is soon coming to an end with a final concert in Toronto at Massey Hall on December 9th, where many dates were sold out, Dutcher is starting 2024 strong and just announced five dates to come in January: Nantes, Paris, Amsterdam, Berlin and Oslo. 

WATCH “POMAWSUWINUWOK WONAKIYAWOLOTUWOK” LIVE HERE

TICKETS ON SALE NOW

Jeremy Dutcher’s latest opus Motewolonuwok has been prised by critics and mentions all around the world, as he was featured in Vogue Magazine, on the NPR show 1A and WNYC “All of it” and “New Sounds” in the United States and in Canada on the Exclaim! cover for October, on TV show The Social on CTV. Dutcher also did a session and interview on RFI (France), has been crowned in the UK as the MOJO Rising Artist in the September issue and the magazine gave the record ★★★★, stating “there is real weight behind these songs, and Motewolonuwok carries it with sombre grace.” Rolling Stone France also shares the ★★★★ status calling the album “a total and captivating success” as well as The Morning Star (UK) calling it “A captivating set, with Dutcher’s extraordinary and expressive vocals underpinned by orchestral arrangements... Mesmerising, magical and often deeply moving”. Télérama adds “richly orchestrated, his intimate ballads unfold an intense dramaturgy to transcend the pain of oppression and express the soothing beauty of resilience.” 

BUY / STREAM MOTEWOLONUWOK HERE

Dutcher originally vaulted himself into the upper echelons of Canadian performance with his 2018 debut, Wolastoqiyik Lintuwakonawa. Since winning the Polaris Music Prize and JUNO Award, performing for NPR Tiny Desk, and collaborating with Yo-Yo Ma and Beverly Glenn Copeland, Dutcher returns with Motewolonuwok, a moving and radiant exploration of contemporary Indigeneity and his place within it, presenting his most expansive work yet. The new album also marks Dutcher’s first time writing and singing in English. A powerful invitation for collective healing and understanding, “Shared tongue is a beautiful gift, with a complicated reason,” Dutcher explains. These new English songs are also a way of singing directly to the newcomer, or settler, in their own language — a direct line of communication that seeks to platform his community’s stories of healing, resilience, and emergence to all that may hear.

Motewolonuwok heaves with dynamic orchestration and the inherent drama of grand piano, recalling a long line of artists who have turned the classical establishment on its head to deliver compositions that are doubly ecstatic and modern — luminaries such as Julius Eastman, Perfume Genius, Arthur Russell, Beverly Glenn-Copeland, and Merce Cunningham. More intimate and expansive than anything Dutcher has created before, Motewolonuwok hedges the line between storytelling and composition as both a transcendental protest record and an exploration of self. This is experimental pop as corrective medicine: a defiant, healing, and queer experience that fills any listener with power and wisdom.

TOUR DATES
December 7 – St. Catharines, Canada - FirstOntario Performing Arts Centre
December 9 – Toronto, Canada – Massey Hall
January 17, 2024 – Nantes, France - La Cité des Congrès de Nantes NEW DATE
January 19, 2024 – Paris, France - Centre Culturel Canadien TICKETS ON SALE SOON NEW
DATE
January 21, 2024 – Amsterdam, Netherlands – Venue to be confirmed TICKETS ON SALE SOON
NEW DATE
January 26, 2024 – Berlin, Germany - Michelberger Hotel NEW DATE
January 28, 2024 – Oslo, Norway NATIVE LANGUAGE TBD - Parkteatret Scene NEW DATE 
March 16, 2024 – Princeton, New Jersey - McCarter Theatre Center NEW DATE

PRAISES FOR MOTEWOLONUWOK

“[Jeremy Dutcher] Brings forward the spirit of his people on this beautiful record.” — Ann Powers, NPR Music (US)

"There is a revolution in this album...Motewolonuwok is about people rising up in the streets, about unity and community, about identity. Dutcher […] shares an operatic timbre with Anohni, his songs transmitting a similar sense of spiritual commitment. There is a real weight behind these songs, and Motewolonuwok carries it with sombre grace." ★★★★ – MOJO (UK)

“a total and captivating success” ★★★★ – Rolling Stone France 

“Jeremy Dutcher creates music that has never been created before in Canada... The album is built like a suite in 11 movements, building a crescendo that includes hymn-like songs coloured with hints of jazz and gospel, making the whole experience an almost spiritual quest.” ★★★★ - Songlines (UK)

“A captivating set, with Dutcher’s extraordinary and expressive vocals underpinned by orchestral arrangements... Mesmerising, magical and often deeply moving.” ★★★★ - The Morning Star (UK)

“Dutcher yearns earnestly in a powerful voice that lands somewhere between Anohni and Curtis Stigers, doling out lush soul ballads, which deal with land sovereignty and queerness.” 7/10 - Uncut (UK)

“[Ancestors Too Young] is a powerful new prism through which the composer shines his light. His plaintive vibrato still reflects his opera training as he sings, […] but his howl eventually rises to a rock-inspired crescendo […]. It's an exciting new direction for the composer's upcoming sophomore album, Motewolonuwok, mixing art rock influences with orchestral swells and a jazz rhythm section.” – Exclaim!’s Staff Picks (CA)

“The song [Skicinuwihkuk] is tender and lyrical, but also takes flight on a wave of orchestral sound that amplifies the song’s emotional content” – WNYC “New Sounds” (US)

‘“Skicinuwihkuk” is a moving piece” – CBC Music (CA)

“richly orchestrated, his intimate ballads unfold an intense dramaturgy to transcend the pain of oppression and express the soothing beauty of resilience.”

 - Télérama (FR)

JEREMY DUTCHER ONLINE 
WEBSITE
FACEBOOK
INSTAGRAM
TIKTOK  

SECRET CITY RECORDS ONLINE
WEBSITE
FACEBOOK
INSTAGRAM
TWITTER
TIKTOK