KATE MAKI SHARES “AT EVERY SUNSET” FT. JIM BRYSON FROM UPCOMING LP

Photo Credit : Kelly Lam // DOWNLOAD HIGH-RES

Recently, Kate Maki shared her first new music in nine years alongside the announcement of her seventh studio album Impossible Knot. Today, she reveals the album’s second single, “At Every Sunset” featuring Jim Bryson on guitar and vocals. The track also includes Dave Draves (Julie Doiron) on the organ, Peter Von Althen (Kathleen Edwards) on drums, Jon Hynes (Hidden Cameras) on bass, and Dale Murray (The Guthries) on pedal steel. 

“’At Every Sunset’ was the last song I wrote for the record and the first song we recorded so it has a sense of urgency and discovery,” says Maki. “The intricate guitar part and heartfelt harmony vocals belong to the force that is Jim Bryson, a great friend and mentor to me since we met over twenty years ago during the making of my first record. Lyrically, the song examines how our memory filters our experiences and how it tends to emphasize the positive moments and diminish the unpleasant. At the same time, it questions whether we naturally romanticize the past and whether memory is a reliable tool. In the end, we are left with feelings, not specifics, and my feelings are firmly rooted in the sweetness of that time in my life.”

WATCH / SHARE “AT EVERY SUNSET” FT. JIM BRYSON
BUY / STREAM “AT EVERY SUNSET” FT. JIM BRYSON

DOWNLOAD HIGH-RES

Born and raised in Sudbury, Ontario, Canada, Kate Maki’s voice and musical style are as wide and expansive as her hometown’s moon-like terrain. She began writing songs during her first-year of teaching as a way to deal with the sudden death of a friend, and recorded her first record, Confusion Unlimited, in 2003 with Dave Draves. Originally intended to be a Christmas gift for her family, the record received international attention and quickly sold out of its initial pressing. Finding it impossible to maintain the teacher-by-day, musician-by-night lifestyle, Maki quit her day job and began crisscrossing the country on self-booked, self- promoted tours.

Fast forward to today, six records, two kids, and countless tours and collaborations later, Maki returns with Impossible Knot. “I suppose I have come full circle, teaching high school and writing songs to help deal with life-changing circumstances. After a long period of grief, it was a relief to be reunited with the songwriting process, and of course, reunited with Draves and his trusty tape machine.”

During the summer and fall of 2024, Maki travelled back and forth from Sudbury to Ottawa to work with Draves in his backyard, analogue studio where she recorded her first three records in the early 2000s. Little Bullhorn’s familiar, creative environment combined with her longtime friendship with Draves and his family, provided Maki with the comfortable space needed to share her first new material since 2016’s Head In The Sand. With Maki on guitars and Draves on keys, they formed a core band with Peter Von Althen on drums, Jon Hynes on bass, Dale Murray on pedal steel, guitars, and background vocals, Dan Levecque on guitars, and Anne Boulton on background vocals. Celebrated songwriters, Jim Bryson, Ruth Minnikin (The Guthries), and Ryan Levecque (Ox), also make guest appearances.  The result is a warm, eclectic collection of “beautiful hurt” as described by Draves, and Maki sounds confident and hopeful despite the heavy subject matter. 

WATCH / SHARE “ALL I GET” (MUSIC VIDEO) HERE
BUY / STREAM “ALL I GET” HERE

“I usually record live-off-the-floor with a full band, but this record began with just drums and acoustic guitar, and was built up from there.” shares Maki. “Draves and I produced the record with a ‘serve the song’ approach, adding only what was truly necessary to each one. I think it inevitably ended up sounding like a live band, not only because of the exceptionally talented and experienced players, but because each session was a reunion, a much-needed celebration with old friends.”

Like all great Americana music, Maki combines country, folk, rock, blues, and soul effortlessly, and although tough to fit into just one of these categories, Impossible Knot, due in part to its confessional lyrics, group harmonies, and stringed instruments, could be found in the classic country bin at your local record store. “For me, country music is about creating something positive out of pain, and I like how the songs seem simple at first, but that there exists a complexity, a tangible connection to the mysteries of the human condition, hidden deep within. Listening to old country records helped pull me through a most difficult time and eventually led me back to songwriting. Without time to labour over lyrics, the songs came quickly out of necessity to release the discomfort from my body, a definite nod to the ‘three chords and the truth’ motto.”

MORE ABOUT KATE MAKI
Kate Maki’s first three records, Confusion Unlimited, The Sun Will Find Us (2004), and On High (2008), were each awarded “Album of the Year” at the Northern Ontario Music & Film Awards. Her songs have been featured on KCRW, NPR, and CBC, and placed in several films and television shows including Weirdsville, Hard Rock, Medical, and Wilby Wonderful. She has appeared on the cover of NOW Magazine, Ottawa Xpress, and Echo Magazine, her voice can be heard on records by Matt Mays, Howe Gelb, and Ox, and she has toured North America and Europe opening for Great Lake Swimmers, M. Ward, Joel Plaskett, Giant Sand, Tegan & Sara, Hayden,and Bahamas.

PRAISE FOR KATE MAKI

“Canada’s newly crowned princess of day-dreamy songwriting.” - San Francisco Chronicle

“She can sell a song with only her voice and an acoustic guitar.” - Pitchfork

“Like the best country singers, alt or otherwise, Maki’s voice is conversational yet somehow self-contained, as if it’d be quite happy talking to itself sitting on an open plain, or whistling to itself behind a wheel.” - MOJO

“A wild and wondrous depth. A Canadian iconoclast.” - LA Weekly

“A young woman who can sing, play guitar and write songs with a confidence that should do her much good on the long, heartless road from making music to making it work.” - Ottawa Citizen

“Quietly powerful.” - Exclaim!

“Kate Maki deserves our attention, and sooner rather than later.” - Americana UK

KATE MAKI TOUR DATES
Saturday, May 10 - Sudbury, ON  – The Lounge | 8 PM
Saturday, May 24 - Toronto, ON  – The Brockton | 8 PM 
Saturday, May 31 - Ottawa, ON – The Record Centre | 3 PM
Friday July 4 - Sunday, July 6 - Sudbury, ON - Northern Lights Festival Boreal

DOWNLOAD HIGH-RES

IMPOSSIBLE KNOT TRACKLIST
1. Song for a Sailor
2. Two Wrongs
3. Back Home (featuring Ryan Levecque)
4. All I Get
5. See It Now
6. Another Country (featuring Ruth Minnikin)
7. I Still Do
8. Crooked Line (featuring Dale Murray and Ruth Minnikin)
9. Down With the Ship
10. At Every Sunset (featuring Jim Bryson)

KATE MAKI ONLINE
BANDCAMP
FACEBOOK
INSTAGRAM
YOUTUBE
APPLEMUSIC
SPOTIFY

ABIGAIL LAPELL SHARES COVER OF TAME IMPALA’S “FEELS LIKE WE ONLY GO BACKWARDS” FROM DELUXE LP

ABIGAIL LAPELL’S DELUXE ALBUM, ANNIVERSARY & MORE SONGS ABOUT LOVE, INCLUDING 8 ADDITIONAL SONGS FROM THE 2025 JUNO AWARD NOMINATED ALBUM ANNIVERSARY - OUT MAY 3, 2025 VIA OUTSIDE MUSIC 

WATCH / SHARE “FEELS LIKE WE ONLY GO BACKWARDS” (TAME IMPALA) HERE
BUY / STREAM “FEELS LIKE WE ONLY GO BACKWARDS” (TAME IMPALA) HERE

PRE-SAVE ANNIVERSARY & MORE SONGS ABOUT LOVE HERE

TOUR DATES CONTINUE THIS MONTH - FULL DATES LISTED BELOW


“achingly beautiful” SOCAN Magazine

“Anniversary celebrates love in all its forms, taking the listener on a journey from ephemeral moments of elation to the power of eternal love, to the tragedy of heartache and loss.” Stir 

“Lapell’s masterful skills on finger-style guitar, harmonica, piano once again return to effortlessly complement her eerily beautiful vocals.” - KUTX (NPR)

“Anniversary” emerges boldly and beautifully as an earnest celebration of commitment”
Great Dark Wonder

"The standout track 'Rattlesnake' begins with a slowly ramping up guitar that is sparse and haunting yet upbeat. Lapell lays down vocals that feel rooted and soulful with an element of blues running through her unique style of folk-noir." - Glide Magazine

Photo Credit : Jen Squires // DOWNLOAD HIGH-RES

Today, Toronto songwriter and multi-instrumentalist Abigail Lapell shares her cover of Tame Impala’s “Feels Like We Only Go Backwards” from More Songs About Love, the extended companion to her acclaimed 2025 JUNO Award Nominated album Anniversary. Using only distorted electric guitar and powerhouse vocals, Abigail presents her minimal, stirring take on Tame Impala’s anthem of unrequited love.

WATCH / SHARE “FEELS LIKE WE ONLY GO BACKWARDS” (TAME IMPALA) HERE
BUY / STREAM “FEELS LIKE WE ONLY GO BACKWARDS” (TAME IMPALA) HERE

MORE ABOUT ABIGAIL LAPELL AND ANNIVERSARY & MORE SONGS ABOUT LOVE
An evocative collection of original love songs, Anniversary was produced with Great Lake Swimmers’ Tony Dekker and recorded at 200-year-old St Mark’s Church in Niagara-on-the-Lake, Ontario. Dekker helped shape the sessions’ spooky, resonant sound and also lent his voice to a couple of spellbinding duets. 

Balancing upbeat earworms with elegiac ballads, More Songs About Love adds eight new stripped-down tracks to the collection, including delicate acoustic versions of Anniversary’s standout tracks; a captivating French translation of crowd favourite “Rattlesnake”; and Lapell’s unique take on a handful of beloved classics, including her impassioned version of “Feels Like We Always Go Backwards” by Tame Impala. 

On Anniversary, Abigail Lapell interrogates the romantic ideal of growing old together. ‘Anniversary’ literally means ‘returning yearly’, and the album’s 11 songs track the revolving days, seasons, and years to celebrate and complicate the notion of eternal love. Across the project, Lapell drew inspiration from a series of personal milestones, including turning 40, along with the fifteenth anniversary of her father’s death – and, more recently, several weddings and births in her family. She offers a 40-something vision of love, haunted by the ghosts of departed loved ones, past relationships or even the spectre of faded youth. 

Anniversary was fittingly recorded in a historic 200-year-old church adjoining a cemetery, complimenting the project’s resonant and hauntingly intimate theme. Lapell tapped Tony Dekker to co-produce the album, and the two assembled a stellar cast of musicians to round out Lapell’s vocals, piano, harmonica and fingerstyle electric guitar. The ensemble’s sensitive, orchestral country-jazz arrangements reveal the depth of Lapell’s musical palette – making use of the church’s in-house piano, harpsichord and several antique organs.

WATCH / SHARE “FLOWERS IN MY HAIR” FT. GREAT LAKE SWIMMERS HERE

WATCH / SHARE “WAIT UP” (ACOUSTIC) FT. GREAT LAKE SWIMMERS HERE
BUY / STREAM “WAIT UP” (ACOUSTIC) FT. GREAT LAKE SWIMMERS HERE

Across the album, Lapell’s deft lyrics jostle with love song tropes, grappling with love’s finitude and the irony of how codependency and longing are revered in popular music. “I wanted to explore some of the contradictions within the pop culture notion of love,” Lapell says. “These dichotomies of light and dark, love and loss, fleeting and eternal – even in the traditional wedding vows, ‘sickness and health, richer or poorer.’” Ultimately, while deconstructing the myths of romantic love, Anniversary emerges as an earnest celebration of commitment – acknowledging its tragedy and hope, and its power to haunt and console at the same time.

Anniversary comes on the heels of Abigail Lapell’s critically acclaimed 2022 album Stolen Time, and Lullabies, released in November of 2023. Over the course of her musical journey, Lapell has now garnered four Canadian Folk Music Awards, hit number one on Canadian folk radio and reached a staggering 40 million+ streams on Spotify alone.  Abigail was the most nominated artist at the 2025 Canadian Folk Music Awards with 4 nominations: Contemporary Album of the Year and Solo Artist of the Year for Anniversary, Traditional Singer of the Year - for Lullabies, taking home the award for 2025 Children's Album of the Year for Lullabies

BUY / STREAM ANNIVERSARY HERE

PRE-SAVE ANNIVERSARY & MORE SONGS ABOUT LOVE HERE

TOUR DATES
05/11/2025 Birmingham United Kingdom Kitchen Garden Cafe
05/12/2025 Cambridge United Kingdom Cambridge Junction 2
05/13/2025 Bristol United Kingdom Hen & Chicken
05/14/2025 London United Kingdom Jazz Cafe
05/16/2025 Stockholm, SE Sweden Nalen
05/17/2025 Falkenberg, SE Sweden Tryckhallen
05/18/2025 Malmö Sweden Plan B
05/21/2025 Arnhem Netherlands Bovenzaal
05/22/2025 Amsterdam Netherlands Melkweg
05/23/2025 Venlo Netherlands Joriskerk
05/24/2025 Leuven Belgium Cinema Roxy
05/27/2025 Bremen Germany Radio Bremen concert
05/28/2025 Hamburg, DE Germany Monkeys Music Club
05/30/2025 Berlin Germany Cassiopeia
06/08/2025 Toronto Ontario Hugh's Room
06/11/2025 Portland ME Maine Oxbow
06/12/2025 Saratoga Springs New York Caffe Lena
06/13/2025 Exeter New Hampshire The Word Barn
06/14/2025 Cambridge Massachussetts Club Passim
06/15/2025 New York NY Cafe Wha
07/18/2025 Guelph Ontario Hillside Fest
07/19/2025 Guelph Ontario Hillside Fest
07/20/2025 Guelph Ontario Hillside Fest

DOWNLOAD HIGH-RES

ANNIVERSARY & MORE SONGS ABOUT LOVE TRACKLIST
01 Anniversary Song
02 Footsteps
03 Count On Me
04 Rattlesnake
05 Blue Blaze
06 Someone Like You
07 3AM
08 Flowers In My Hair
09 Blue Electric Skies
10 Wait Up
11 Stars
12 Feels Like We Only Go Backwards
13 Anniversary Song (Acoustic)
14 Wait Up (Acoustic)
15 Plaisir d'amour
16 Serpent à sonnette
17 Count On My (Acoustic)
18 The End Of The World
19 Stars (Acoustic)

ABIGAIL LAPELL ONLINE
INSTAGRAM
FACEBOOK
BANDCAMP
YOUTUBE
SPOTIFY

TWO HOURS TRAFFIC SHARE NEW SINGLE, ANNOUNCE CANADIAN TOUR DATES

TWO HOURS TRAFFIC RETURN WITH THEIR FIRST NEW SET OF SONGS IN A DECADE

I NEVER SEE YOU ANYMORE EP SET FOR RELEASE MAY 23, 2025

WATCH / SHARE “LEAVE TONIGHT” HERE
BUY / STREAM “LEAVE TONIGHT” HERE

ONTARIO TOUR DATES BEGIN MAY 28 - FULL DATES LISTED BELOW

PRE-SAVE I NEVER SEE YOU ANYMORE HERE

Photo Credit : Robert Georgeoff // DOWNLOAD HIGH-RES

Recently, Two Hours Traffic returned with their first new music in a decade. Following a Polaris Music Prize shortlist nomination for 2007’s Little Jabs and inclusion on the soundtracks of iconic TV shows of the era (The Office and The O.C.), the band took their final bow in 2013. However, a quiet reunion some years later saw the Charlottetown group, comprised of Liam Corcoran, Andy MacDonald, Nick Doneff, and Derek Ellis, soon finding themselves playing together again, first occasionally, then more often, until new songs began to emerge naturally. Now, twelve years since their last release, Two Hours Traffic make an unexpected but welcome return with their new EP, I Never See You Anymore. 

Today, they share another new song from the EP, “Leave Tonight”, which is “another one of our countless attempts at writing a classic pop song, similar to what we grew up hearing on the radio in the late 80s / early 90s,” says Corcoran. “We have drawn huge inspiration from the British band The La's and this is a song where we are trying to channel their approach...a minimal arrangement where the vocal and guitar melodies have lots of space to shine over the anchor of the rhythm section. As for the story, it's another doomed romance...I had a very clear image in my mind of one person that is tied to a specific place and another person who is being forced to leave. They have a strong connection, but not strong enough to withstand the circumstances, so they are trying to enjoy their final moments together."

WATCH / SHARE “LEAVE TONIGHT” HERE
BUY / STREAM “LEAVE TONIGHT” HERE

MORE ABOUT TWO HOURS TRAFFIC + I NEVER SEE YOU ANYMORE
The six-song EP blends the experiences and influences of their early years with the maturity and clarity of a band shaped by another decade of life. The title, I Never See You Anymore, is reflective of encountering the bittersweet realities of no longer being a touring band, as bassist and producer Andy MacDonald explains. “Every time we made our way across Canada, and even on our trips to Europe, Australia, and the US, we’d run into friends and musicians we couldn’t wait to see,” he recalls. “Once we split up, it slowly dawned on us that we wouldn’t be seeing most of these people regularly again.” 

Recording the EP was a collaborative and organic process that unfolded naturally throughout 2024. Sessions took place at various friends’ studios on PEI, as well as at Fang Recording, Joel Plaskett’s studio, in Dartmouth, Nova Scotia. “Writing and recording this EP was such a pleasure because we weren’t beholden to any timelines,” MacDonald reflects. “We were able to slowly pick away at the songs and refine them.” 

“It takes a village to make a Two Hours Traffic record,” says Corcoran, referring to a village seemingly populated by some of Eastern Canada’s most acclaimed musicians. The process began with sessions at Greg Alsop’s (Tokyo Police Club) studio in Charlottetown. From there, bass and guitar were tracked at Plaskett’s studio in Dartmouth, followed by vocal recording in Hope River, PEI, at Mark Geddes’ studio, The Hold. Outside of these sessions, longtime collaborator Dan Griffin contributed synths and keys that subtly tied the songs together. 

WATCH / SHARE “ON THE SPOT” HERE
BUY / STREAM “ON THE SPOT” HERE

The newest member of the band, Nick Doneff, played a key role in the process, adding layers, working on rough mixes, and keeping things organized. “When we decided to record the sixth song, ‘Andy Magoffin’, Nick was in the engineer’s chair,” Corcoran notes. Reflecting on the band’s democratic approach, Corcoran praises MacDonald for stepping up to produce the project and guide them through the long and winding process. “Andy took on the task of making the executive decisions, ensuring that we retained our identity while also creating something fresh,” Corcoran says. 

The new songs seem to embrace the ethos that first brought them together: direct, melody-driven songwriting with an emotional core, but now with a refined maturity. While I Never See You Anymore carries echoes of Little Jabs’ infectious hooks and Foolish Blood’s polished confidence, it also leans into a warmer, more dynamic sound shaped by the band’s years apart. There’s a looseness in the arrangements, a sense of ease that comes from playing without expectation. Lead single, “Keep It Coming”, reflects this spirit. Written during a challenging year, the song became a mantra about staying present and trusting in resilience. “A reminder not to worry about every little thing in the future,” says MacDonald. 

WATCH / SHARE “KEEP IT COMING” HERE
BUY / STREAM “KEEP IT COMING” HERE

For Two Hours Traffic, “the old days” seemed to be a time of constant evolution, navigating lineup changes and shifting priorities, both creatively and personally. Their 2009 album Territory saw them stepping into a more expansive, textured sound, pushing beyond the bright immediacy of Little Jabs. By 2013’s Foolish Blood, they had refined their songwriting even further, balancing their knack for hooks with a newfound confidence. Those years that followed were full of all the growing pains, joys, and struggles that come naturally to a young band under a spotlight. Reflecting on that time, Corcoran says, “I get the feeling that we were still trying to prove ourselves.” 

Now, with I Never See You Anymore, Two Hours Traffic are less focused on proving themselves and more on staying connected to the music they love. As MacDonald puts it, “Everyone in the band is ultimately in love with the process of writing and recording music. It’s been a part of our lives since we were teenagers, and we’re all still at it. Whether it’s Two Hours Traffic, Liam and Nick’s solo work, or Golden Cinema, we’re all still picking away. I don’t see it stopping anytime soon. We’re hooked.” 

PRE-SAVE I NEVER SEE YOU ANYMORE HERE

TOUR DATES // TICKETS HERE
May 28 | Toronto, ON – The Rivoli (w/ Teen Ravine)
May 29 | Hamilton, ON – Mills Hardware
May 30 | London, ON – Rum Runners
May 31 | Guelph, ON – Sonic Hall

DOWNLOAD HIGH-RES

I NEVER SEE YOU ANYMORE TRACKLIST
01 Keep It Coming
02 Leave Tonight
03 On The Spot
04 Moon Baby
05 Not A Day Goes By
06 Andy Magoffin

TWO HOURS TRAFFIC ONLINE
WEBSITE
INSTAGRAM
FACEBOOK
TIKTOK