MAYA COOK ANNOUNCES DEBUT ALBUM, SHARES NEW SINGLE “ANSWERS”

MAYA COOK’S DEBUT ALBUM, SALT, DUE OUT MARCH 21 VIA AAKULUK MUSIC

LISTEN / SHARE “ANSWERS” HERE
BUY / STREAM “ANSWERS” HERE

PRE-SAVE SALT HERE

Photo Credit : Andrew Morrison // DOWNLOAD HIGH-RES

Maya Cook’s journey into music was paved by her path as a multidisciplinary artist. As a circus performer with Artcirq, the renowned performing arts collective in Igloolik, Nunavut, Maya has spent years expressing herself with dynamic acrobatics and sharply crafted storytelling. Her debut album salt, recorded at Aakuluk Music Studios in Iqaluit, Nunavut, is a testament to her artistry in a different medium—one that swings between the soulful melodies of soft jazz and the infectious energy of folk rock.

Raised in the Gulf Islands of the Salish Sea, Maya hails from Mennonite-Anglo-Celtic ancestry and lives in both Vancouver, BC and Igloolik, Nunavut. Maya’s artist identity is shaped by these worlds, their influence in her music both spontaneous and transformative. “It sometimes feels like I’m two separate people” she says. “I have these strong ties to the Salish Sea where I grew up, and my family and friends who hold me there, as well as to the land and community in Igloolik. Sometimes that feels like it’s splitting me in half, but really, it’s through living in Igloolik that I came to recognize and appreciate the strength of connection I have to where I’m from. Creating art, both circus and music, has been a profound way of exploring how all of my pieces are woven together, within myself and in my relationships with the land and people around me”.

The album’s lead single, “Answers”, sets the tone for salt as a whole. A sharply beautiful and rhythmic track that explores the tension between one’s desires and what one really needs, it is run through with an undercurrent of quiet strength. Capturing Maya’s ability to weave emotion and storytelling into her music, “Answers” is both a question and a declaration, inviting listeners to feel deeply as she reaches for what is just below the surface. 

"I wrote ‘Answers’ on my late great-great aunt’s 120-year-old parlour guitar in a covid isolation facility on my way back home from visiting family in the south,” says Cook. “I was trying to stay sane and make some decisions about where I was taking myself in life. It’s a song about asking myself if I’m ready to do what I know I need to do, instead of what I really-really wanted to keep doing."

LISTEN / SHARE “ANSWERS” HERE
BUY / STREAM “ANSWERS” HERE

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MORE ABOUT SALT
salt brings together Maya’s reflective nature and her curious spirit, offering listeners a vivid sonic landscape inspired by a life in coastal BC and steeped in the Arctic’s contrasts—its beauty and challenges, warmth and cold. The album’s eight tracks each reveal a piece of her world and her heart. Themes of healing, introspection, connection, and community, run through the record. Songs like ”Metal In My Bones” channel the quiet contemplation of rainy Vancouver nights, while tracks like ”Silarjuaq” pulse with raw energy and defiance, fueled by the beauty and vibrance of the tundra. Maya’s voice, rich and emotive, soft and silky, guides listeners through her world, blending seamlessly with instrumentation that mirrors the rhythm of life in the North.

For Maya, salt is more than an album; it’s an exploration of the balance in-between: in-between north and south, hurt and healing, strength and softness… it’s the spaces between our bodies and where sky and ocean meet. “salt is an album about that which connects us to our bodies, to the ocean, and to one another. Writing these songs have been my way of sitting with and feeling how hard, but also how incredibly beautiful, this world is.” she reflects. With this debut, Maya proves she is an emerging voice in the Nunavut music scene.

salt was produced by Jace Lasek, the renowned producer behind acclaimed albums by Aasiva, Terry Uyarak, and The Jerry Cans. Lasek’s expertise shines through, seamlessly blending Maya’s unique voice and artistic vision with rich, atmospheric production. His ability to bring out the depth and texture in northern artists’ music makes salt a stunning addition to the legacy of projects he’s helped shape, further amplifying the soundscape of the Arctic.  

Recorded under the crisp fall skies in Iqaluit, salt is a love letter to the North, to the Salish Sea, and to all the water in-between that connects them. It is an invitation to share in Maya’s vision of resilience and beauty, to close your eyes, and to feel the rhythm of the tides under your skin.  

PRE-SAVE SALT HERE

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SALT TRACKLIST
01 Answers
02 Woman
03 Metal in My Bones
04 Silarjuaq
05 Winter Again
06 Cold Coffee
07 Black Ice
08 Please

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TARIQ’S NEW EP, SCROLL BEFORE YOU SLEEP, OUT TODAY

NEW EP, SCROLL BEFORE YOU SLEEP, OUT TODAY VIA TINY KINGDOM

WATCH / SHARE “MIGRATION SONG” VISUALIZER HERE

BUY / STREAM SCROLL BEFORE YOU SLEEP HERE

Photo Credit : Chelsey Stuyt  // DOWNLOAD HIGH-RES

Today, Tariq’s new EP, Scroll Before You Sleep, is available via Tiny Kingdom. The title, Scroll Before You Sleep, is a unifying tether for these three songs and their nod to digital isolation. “It’s less of a command or a suggestion, more of a warning,” says Tariq. “Keep scrolling, see what happens. Our phone addiction keeps us up at night. It’s impossible to relinquish our devices and when we finally do, they sit beside us on the nightstand, buzzing, alerting, demanding to be looked at and engaged with. When they finally shut up, they start doing their most unsettling activity of all, listening. They eavesdrop on our desires, hunger, fears, our tastes in music, fashion, and lovers. They make decisions about our lives and then at night, they sell it all back to us in ads and subscriptions and as we scroll, we pay. We pay and we rarely sleep.”

BUY / STREAM SCROLL BEFORE YOU SLEEP HERE

READ TARIQ’S IN DEPTH CONVERSATION WITH RANGE ABOUT SCROLL BEFORE YOU SLEEP HERE

Of the EP’s final track, “Migration Song”, Tariq says, “Lately we hear a lot of news reports about people—call them migrants, refugees, immigrants, etc.—putting themselves in great danger in order to flee injustice, persecution, war. And as they do, there is pushback from others who want to keep the outsiders out. Move on, they sing to the outsiders, move on.”

WATCH / SHARE “MIGRATION SONG” VISUALIZER HERE

MORE ABOUT TARIQ
A stalwart of the Canadian indie scene for decades, this new EP marks the beginning of a new chapter and new sound for Tariq. Decidedly louder, and more immediate he is trading in soft folk harmonies for full throated wails. It also represents a new and collaborative approach to making music, working with musicians Robert Chursinoff (Drums), Peter Carruthers (Bass/Keys), and Adam Nanji (Guitar) who have all been members of some of the most prominent bands in Canada including Tegan and Sara, Said The Whale and Belle Game. “This project is a way to experiment with collaboration and also a heavier sound. I want to create something that resonates in its live form, in front of a big crowd at a festival, something that will be entertaining to watch and sound big and bold.” 

WATCH / SHARE “ARCHITECT’S STUDIO” HERE

WATCH / SHARE “THE BALLAD OF YOU AND ME” LYRIC VIDEO HERE

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SCROLL BEFORE YOU SLEEP TRACKLIST
01 Architect’s Studio
02 The Ballad of You and Me
03 Migration Song

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KEN YATES RETURNS WITH TWO NEW SINGLES

KEN YATES BEGINS 2025 WITH TWO NEW SINGLES, “CATACLYSMIC END” AND “MY LOVE FOR YOU IS A STRAIGHT LINE”

LISTEN / SHARE “CATACLYSMIC END” HERE

LISTEN / SHARE “MY LOVE FOR YOU IS A STRAIGHT LINE” HERE

BUY / STREAM BOTH SINGLES HERE

US TOUR DATES WITH KATHLEEN EDWARDS BEGIN FEBRUARY 20

Photo Credit : Noah Altshuler // DOWNLOAD HIGH-RES

Today, Ken Yates returns with two new singles, “Cataclysmic End” and “My Love For You Is A Straight Line”, his first new music since his highly acclaimed LP, Cerulean. Although these two songs differ greatly in style, Yates explains, "At their core, they're both about unconditional love. ‘My Love For You Is A Straight Line’ is maybe the most transparent love song I’ve written,” continues Yates. “It’s the revelation that while not everything in life has gone to plan or lived up to the expectation, the way I’ve felt towards my partner has never changed, and that type of unconditional love should not only be acknowledged, but celebrated.”

“‘Cataclysmic End’ is a promise to a friend that you'll give them unwavering support and friendship, despite not being sure that they'd offer you the same in return. I think some people have a hard time recognizing who their real friends are, and they start to surround themselves with people who will only tell them what they want to hear. I’ve had a few relationships where I’ve felt like I couldn’t be honest with someone for fear of losing them as a friend, and it's made me want to say to them, ‘I’ve got your back man. Do you have mine?’.”

LISTEN / SHARE “CATACLYSMIC END” HERE
LISTEN / SHARE “MY LOVE FOR YOU IS A STRAIGHT LINE” HERE

BUY / STREAM BOTH SINGLES HERE

DOWNLOAD HIGH-RES

MORE ABOUT KEN YATES
Over the last decade, Ken Yates has solidified himself as a prolific musician, combining heartfelt lyricism, genuine authenticity and hypnotic guitar licks. After studying at the Berklee College of Music, Yates released The Backseat EP in 2011, followed by his full-length debut Twenty-Three in 2013. He won the Colleen Peterson Songwriting Award in 2014 for his song "The One That Got Away" and released his second album, Huntsville, in 2016, produced by Jim Bryson. By 2017, Yates was making waves in folk with his poignant songwriting, winning the awards for Canadian Folk Music Award for both Songwriter of the Year and New Artist of the Year.

In 2022 Yates released his most realized set of songs yet with his acclaimed fourth full length album Cerulean. Channeling pain into beauty, the Jim Bryson produced album is a breathtaking triumph of the human spirit. The cool-hued Cerulean captured the artist’s intimate reckoning as he grieved his dying mother, giving listeners a vivid window into the rollercoaster of intense thoughts and emotions that accompany such a personal, yet universal experience resulting in a transcendent record that surges with tightly held energy and intimate moments. 

TOUR DATES WITH KATHLEEN EDWARDS
Feb 20 - Fort Collins, CO - Fort Collins Armory
Feb 22 - Santa Fe, NM - Tumbleroot Brewery and Distillery
Feb 23 - Alburquerque, NM - Fusion
Feb 26 - Dallas, TX - Ruins
Feb 27 - Austin, TX - 04 Center
Mar 1 - San Antonio, TX - Tobin Center

PRAISE FOR CERULEAN

"It’s another lyrical vessel of yearning and emotional reckoning matched up with strummed acoustic guitar, further setting the scene for what Cerulean has in store." - FLOOD

"Cerulean is more astral than backroads, a soundscape that gives Yates room to ruminate, approaching the concert hall atmospherics of The War on Drugs, Andy Shauf, and Big Thief." - The Creek 100.9

“Yates has now asserted himself as one of Canada’s most unique folk artists with a true knack for effective songwriting.” - Canadian Beats

"An enchanting song of acceptance and resolve, Ken Yates’ “The Big One” is a soothing and stirring apocalyptic lullaby that finds refuge in the face of life’s fragility." - Atwood Magazine

"Ken has earned a strong reputation as a bona-fide composer who combines his emotionally charged storytelling with some incredible and unforgettable melodies.” - Great Dark Wonder

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