BUSTY AND THE BASS ANNOUNCE NEW EP, SHARE FIRST SINGLE “I’M NOT HERE”

BUSTY AND THE BASS’ NEW EP, THE MANNEQUIN, DUE FEBRUARY 6, 2025 

CROSS CANADA TOUR DATES BEGIN FEBRUARY 7, 2025

WATCH / SHARE “I’M NOT HERE”
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PRE-SAVE THE MANNEQUIN EP HERE

Photo Credit : Jean-Phillipe Sansfaçon // DOWNLOAD HIGH-RES

Alternative R&B collective Busty and the Bass return with new single "I'm Not Here". The mid-tempo synth-driven single is about giving yourself entirely to another person, even at the expense of one's self: ‘You love me but you don't understand that I'm in the palm of your hands’. Oscillating between sparse, exposed moments and expansive, layered soundscapes, the song marks a new sonic direction for the band as they gear up for their new EP, The Mannequin, set for release on February 6, 2025. The evolution of "I'm Not Here" continues their singular experimentation with soul, funk, jazz, and dance music, incorporating a more lush use of space, balanced with deep melancholic emotion, furthering the sensory experience of Busty and the Bass. 

“I’m Not Here” is “about being so hopelessly in love that you lose sight of your own self,” the band says of the song. “It’s about giving yourself entirely to another person but in a way that’s self-detrimental: ‘I’ll follow your lead, all of your wants and your needs. You love me but you don’t understand that I’m in the palm of your hands.’ It’s an unbalanced relationship dynamic where the other person holds all the power and you allow it to happen and do nothing to confront it.

“The track itself is something different for us. It’s really stripped down and exposed at times  with just vocals, bass and drums, followed by a total contrast of elements in the hooks, featuring Jordan Brown singing full-tilt and driving electric guitar accompanying him.”

WATCH / SHARE “I’M NOT HERE”
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MORE ABOUT THE MANNEQUIN EP
The Mannequin is an EP that showcases the band's timeless evolution,oscillating between the soulful dancefloor mastery they are known for, and more sparse, exposed moments of expansive, layered soundscapes. The EP spotlights a new sonic direction for the band as they embellish their experimentations with genre and texture.

“Being in a band can be a surreal experience, especially being in one that’s existed for over twelve years,” the band explains of the EP. “It’s a chosen family of sorts, in this case, a boisterous group of brothers, an interpersonal constellation replete with neuroses, heartbreaks, dreams, triumphs, and meaningless inside jokes. Somehow the group holds itself together through the unforgiving economics of touring and streaming and everything else life throws at it. We think maybe it’s because of the camaraderie we’ve built over time, and maybe because of a shared idea of what we want to do: We want to make music that makes your ass move and that opens up your heart and that lights up your brain too. The Mannequin is our latest step toward that. 

“As artists, we see a landscape that’s dominated by flash and celebrity and surface appearance – getting big social media numbers and sponsorships and playlists as an artform unto itself, and maybe the most valued artform of this time and place. It reminds us of being a mannequin in a mall - an advertisement of what is supposed to be hot and cool now, with only an interchangeable, vague shape of a human under it. We called the EP The Mannequin as an indictment of that, while at the same time acknowledging that we too are playing the game – and breaking the fourth wall to say so. We want to appear glamorous too, but all we really care about is hanging out, making dope tracks, and putting on a crazy live show where we can connect with people.

“How did we make these songs? The details are always kind of fuzzy to remember. Living in at least three different cities means that any time we have together is precious, spent in frenzied hyperfocus, constantly bouncing between recording sessions of two or three of us at a time.  Chris Vincent (trombonist / bassist / producer), Alistair Blu (née Evan Crofton, vocalist / keyboardist), and Julian Trivers (drummer) made a bunch of demos. Alistair and Jordan Brown (vocalist) usually write the lyrics together. Scott Bevins (trumpeter) and Chris cut the horn parts. Chris learned how to play bass for this project and is playing all the bass parts. Chris also did all the recording engineering, and all the mixing – Chris is a madman. Each song sits in a related but not entirely similar stylistic world; There’s hints of 60’s folk psychedelia in “Over Under” alongside “Lucky (Song 7)”s nu-disco, an improvised instrumental jazz thing (Fourth Wall, Heads Talking) and “I’m Not Here”, a kind of downtempo funk rock tune with an anthemic falsetto hook by Jordan Brown, the Philly-based newest member of the group.”

PRE-SAVE THE MANNEQUIN EP HERE

MORE ABOUT BUSTY AND THE BASS
For the sprawling soul-funk collective, Busty and the Bass, collaboration has always been at the forefront of their art. Formed in Montreal over a decade ago, the band’s two studio albums, both produced by Grammy Award-winner Neal Pogue, have been praised in equal parts by tastemaker press (Complex, OkayPlayer) and established media (Billboard, American Songwriter). Over the years, they have collaborated with legends George Clinton, Macy Gray, Earth Wind & Fire, members of Slum Village, and exciting new voices like Polaris Music Prize winners Cadence Weapon and Pierre Kwenders. After an original member left the band during the pandemic, the collective expanded their ranks for the first time in years, invigorating the band with a newfound creative energy and approach. Along with these new voices come new ideas and influences that inspired the collective's most dynamic and expansive album yet, 2023's Forever Never Cares. 

TOUR DATES
Feb 7: Kingston - Broom Factor
Feb 8: Ottawa - Bronson Centre
Feb 12: St Catherines - The Warehouse
Feb 13: Hamilton - Bridgeworks
Feb 14:  London - Rum Runners
Feb 15: Toronto - The Great Hall
Feb 16:  Toronto - The Great Hall
Feb 28: Saskatoon - Louis’
Mar 1: Calgary - Commonwealth
Mar 2: Edmonton - Starlite Room
Mar 3:  Red Deer - Bo’s
Mar 5:  Kelowna - Revelry
Mar 6: Vancouver - The Pearl
Mar 7: Vancouver - The Pearl
Mar 8: Victoria - Capital Ballroom
Mar 14: Montreal - Le Studio TD

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THE MANNEQUIN EP 
01 Lucky (Song 7)
02 I’m Not Here
03 Over Under
04 Fourth Wall
05 Heads Talking (Outro)

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YVES JARVIS ANNOUNCES NEW LP, ALL CYLINDERS, SHARES NEW VIDEO

YVES JARVIS NEW ALBUM, ALL CYLINDERS, OUT FEBRUARY 28, 2025 VIA NEXT DOOR RECORDS

WATCH / SHARE “ALL CYLINDERS” HERE
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PRE-SAVE ALL CYLINDERS HERE


Jarvis takes his time with "Gold Filigree," plucking the bass as keys fall like raindrops, leaving plenty of space for his lyrics to land on your heart. Jarvis recommends this song for people who like "fornication, love-making, procreation, steak frites, Prince, Al Green, and Charlotte Day Wilson" — and he's not wrong.” CBC Music on Gold Filigree 

“With the ramshackle majesty of a Prince demo, ‘Gold Filigree’ still feels as polished as the titular jewelry, and twinkles with admiration for a lover who’s so well put together, it could only be divine symmetry.” —The FADER, “Songs You Need In Your Life”

"Angelic folk led by an acoustic guitar strum and harmonies that would make Crosby, Stills and Nash want to join in." — Billboard Canada on “The Knife in Me”

Photo by Casanova Cabrera // DOWNLOAD HIGH-RES

Yves Jarvis — the moniker of Canadian musician Jean-Sébastien Yves Audet — announces his new album, All Cylinders, out February 28 via Next Door Records, and shares a video for its title track, “All Cylinders.” Make ready and say “ah” to All Cylinders—the golden, textured new album by one of Montreal’s most original musicians. Yves Jarvis, returns with an expression of brazen songcraft and pure musicianship: 11 tracks he played himself, without a single additional contributor, transforming his acclaimed, three time Polaris Music Prize longlisted vision into the stuff of verses and choruses, hooks and hits, which vibrates like a cosmic anthropology.

The way “All Cylinders” eases-in is like the ideal beginning or ending for a day. A cymbal hit; an enveloping folk-chorale; then the title track’s easy-going shuffle, a driving-song by way of Dionne Warwick and Burt Bacharach. ‘10 and 2 down Highway 3 / I’m headed home / I’m headed east,’ Jarvis coos. "An expression of faith as I barrel towards fate. RIYL: Speeding through a rainstorm without windshield wipers, Dionne Warwick, Judee Sill, Norah Jones, Marvin Gaye," explains Yves, of the title track.

As always, Yves Jarvis is distinguished by his sound—a warm, vivid thing that feels at once like a handknit piece of fabric and a sheet of precious metal. He is dedicated to music that condenses folk, R&B, country, blues, Americana—with a touch that’s contemporary, even futuristic. “It’s all the same sh*t,” he says. “They all stem from core things.” Jarvis is an omnivore, and All Cylinders smashes together a stunning array of influences: Serge Gainsbourg, Judee Sill, Sheryl Crow, Captain Beefheart, Jackson Browne, Throbbing Gristle, Ray Charles, Brian Eno, Fleetwood Mac, and Panic at the Disco. Jarvis distills these influences into tunes that feel like taking sips from a cup, or drags from a cigarette—vivid and self-contained tunes that are just two or three minutes long. 

WATCH / SHARE “ALL CYLINDERS” HERE
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MORE ABOUT ALL CYLINDERS
On the genesis of the album Jarvis explains: “I basically only listened to Frank Sinatra for a year. I wanted Sinatra’s clarity—the way the songs exist without him, as real things. And he’s the interpreter.” Whereas Jarvis had previously approached music as something sculptural—as compositions that emerge spontaneously from raw sonic material—"this time I just made a ton of songs,” he says: “I had tunes stuck in my head. I had choruses. I had actual parts. Instead of making a world, I thought: ‘I’m a band. The drums are there to keep the beat.’

WATCH / SHARE “GOLD FILIGREE” HERE
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The goal became to articulate these songs as purely and as simply as possible. At home, in the studio, at subletted apartments in Montreal and L.A.—he’d roll out of bed and get straight to work, plugging his gear into a half-broken laptop. Whereas once he had fetishized analog tape, the idea of “using magnetic dust as a medium,” now Jarvis appreciates the value of working without any such preciousness: much of All Cylinders was recorded on bare-bones Audacity, sans plugins, “no pretense, no self-indulgence, music for the sake of music,” channelling the spirit of Paul McCartney’s II. “I feel like this is the least contrived thing I’ve ever done,” Jarvis declares. Lyrics that matter. Vocals up front, where people will actually hear them. “If something’s true to you,” he explains, “it’s probably true to a million other people.”

WATCH / SHARE “THE KNIFE IN ME”
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PRE-SAVE ALL CYLINDERS HERE

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ALL CYLINDERS TRACKLIST
1. With A Grain
2. Gold Filigree
3. One Gripe
4. Decision Tree
5. I’ve Been Mean
6. I’m Your Boy
7. Warp And Woof
8. All Cylinders
9. The Knife In Me
10. Patina
11. Luck’s Last Luster

YVES JARVIS ONLINE
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SAYA GRAY ANNOUNCES 2025 TOUR DATES, SHARES NEW SINGLE / VIDEO

WATCH / SHARE “LIE DOWN..” HERE
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SAYA GRAY’S HIGHLY-ANTICIPATED DEBUT ALBUM SAYA
OUT ON FEBRUARY 21, 2025 VIA MARION MURATA (CANADA)

PRE-SAVE SAYA HERE

“a new self-sufficient artistic voice that’s bound to push, jolt and reinvent” - Dazed

“her production is alert, hyper-detailed and surreally unpredictable, segueing among ticking electronics, syncopated indie-rock, spacey vocal chorales, distorted guitars and what might be a koto.” - The New York Times

“collaging R&B and alt-rock into interdimensional pop” - Pitchfork

“if the singles are anything to go by, the record will be one of the best debuts of 2025.” -Wonderland

Photo Credit : Jennifer Cheng // DOWNLOAD HIGH-RES

Today, Saya Gray announces a lengthy run of upcoming tour dates across Europe and North America. Ticket presale sign up is available now via her website HERE and begins Wednesday, January 22 at 10 AM local time. General on sale begins Friday, January 24. This is only Saya’s second tour across the world following a completely sold out run last year. 

To accompany the big news, she also unveils a new single “LIE DOWN..” and a music video as a precursor to her debut album ​​SAYA out February 21, 2025 via Marion Murata in Canada, which was listed as one of Exclaim!’s Most Anticipated Albums of the year.

Her most expansive tour to date kicks off on April 9th at Paradiso Noord in Amsterdam and stops in major cities including Berlin, Paris, and London, before making its way to the US. Saya begins her North American run in Chicago at Lincoln Hall on April 29 and also visits Toronto, Montreal, New York, and Los Angeles to name a few. Full routing can be found below. 

Saya Gray continues her meteoritic rise in 2025 with “LIE DOWN..,” one of her most pared down releases, putting emphasis on her layered, lush vocals and whimsical, thumping bass line. The track is accompanied by a gorgeous visualizer evocative of film noir and fitting for a ruminative song about death and unrequited feelings. The music video was directed by longtime creative collaborator Jennifer Cheng.

WATCH / SHARE “LIE DOWN..” HERE
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Gray began work on SAYA following the dissolution of a troubled romantic entanglement; she booked a flight to Japan in Autumn of 2023, and like a feel-good movie protagonist, detangled herself from the outstanding psychic ties by journeying solo on a cross-country road trip. Moved by the vastness of albums by the Beatles and Led Zeppelin, as well as her Canadian folk forebear, Joni Mitchell, Gray kept an acoustic guitar in the passenger’s seat, just in case inspiration would strike. In recording SAYA, Gray sanded and fine-tuned the rough edges of records past into more cohesive works of melodic folk songcraft.

WATCH / SHARE “H.B.W” HERE
BUY / STREAM “H.B.W” HERE

PRE-SAVE SAYA HERE

SAYA GRAY 2025 TOUR DATES 
UK / EUROPE
Wed, Apr 09 @ Paradiso Noord, Amsterdam, NL
Thur, Apr 10 @ Columbia Theater, Berlin, DE
Sat, Apr 12 @ Mojo Club, Hamburg, DE
Mon, Apr 14 @ Botanique, Brussels, BE
Tue, Apr 15 @ La Gaîté Lyrique, Paris, FR
Thur, Apr 17 @ Village Underground, London, UK
 

NORTH AMERICA
Tue, Apr 29 @ Lincoln Hall, Chicago, IL, US
Wed, Apr 30 @ The Axis Club, Toronto, ON, CA
Thur, May 01 @ La Sala Rossa, Montreal, QC, CA
Sat, May 03 @ The Bowery Ballroom, New York, NY, US
Tue, May 06 @ The Roxy, Los Angeles, CA, US

SAYA Artwork // DOWNLOAD HIGH-RES

SAYA TRACKLIST
01 ..THUS IS WHY ( I DON'T SPRING 4 LOVE)
02 SHELL ( OF A MAN )
03 LINE BACK 22
04 PUDDLE ( OF ME )
05 HOW LONG CAN YOU KEEP UP A LIE?
06 CATS CRADLE!
07 10 WAYS ( TO LOSE A CROWN )
08 H.B.W
09 EXHAUST THE TOPIC
10 LIE DOWN..

SAYA GRAY ONLINE
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