Braden Lam meets the moment on The Cloudmaker’s Cry, an album that makes good on the promise of this indie-folk wunderkind, with music reminiscent of a bygone era set to lyrics pulsing with the urgency and anxiety of today. The titular Cry evokes many kinds—cries of joy, of sorrow, of protest, of rage, of grief—as Lam pushes his voice to new edges exploring these expressions, and then some. He hones in and drills down on the complexity of relationships, the mundanity of adulthood, and the lasting impact of history.

The Cloudmaker’s Cry is Lam’s debut full-length album, and he means album in the classic sense: 10 considered and thoughtful folk songs, meticulously arranged and painstakingly sequenced, meant to be played on a turntable in a single sitting, whiskey optional. Though barely 27, he has lived the life of a much older man—with years of touring, entrepreneurship, and marriage already accounted for—and this collection of songs reflects lessons learned earlier than most, about time and love and the world.

It was produced in Toronto by Eli Browning, a new approach for Lam, who made his previous three EPs with a host of producers across Atlantic Canada. The pair’s touchstones as they worked through a city springtime in a converted church studio were George Harrison, Neil Young, and other sounds from the 1960s and 70s: music that is lyric-forward and performed with folk instrumentation in analogue tones, resulting in a timeless singer-songwriter record.

This vibe carries through the entire package, from the tintype photographs of Lam to the images wrought in 35mm in the liner notes, to his charming video collaborations with Griffin O’Toole that combine nostalgia, surrealism, and camp into a distinct style of film. Each particular piece fits perfectly into the primary vision, creating something grand in its authenticity and comforting in its warmth.